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Few people today dare to dress as prescribed by the fashion of the 90s. In the imagination of a post-Soviet person, this style is identified with the most ridiculous images that anyone could ever decide on. But world fashion tends to be cyclical, and in the latest collections of famous couturiers, the main trends of that ambiguous, extraordinary and unforgettable era have already begun to boldly slip.
Historical background
The political situation in the country began to influence the consciousness of the Russian people even earlier. The awakening rebellious spirit of the Russian people, clearly oriented towards Western culture and the desire to dress in everything foreign, was clearly visible. Well, after it broke up Soviet Union, a powerful flow of foreign goods poured into the country.
The so-called shuttle business developed actively. Often clothes and accessories were of dubious origin and of inadequate quality. But that didn't stop anyone. From the photo of the fashion of the 90s, it can be seen that it was the style of a “hungry” person for shopping, whom for a long time forced to exist in a severe shortage of outfits. It was a completely wild cocktail of frankness and vulgarity.
Women's fashion
In the women's fashion of the 90s, there was a strong desire to look sexy and at the same time a complete lack of understanding of how to do it. It seemed to the ladies of that era that the main decorations of their image would be excessive brightness, ultra-short length of skirts, deep necklines, unimaginable hairstyles and catchy makeup.
At the same time, it is worth highlighting several directions that the fair sex adhered to. The style icons of that time were the romantic "Wild Rose", the aggressive Madonna, the direct and purposeful "Intergirl" and the freedom-loving hippies.
Men's fashion
The representative of the stronger sex, who wanted to match the men's fashion of the 90s, also preferred foreign labels, and the clothes were selected "indiscriminately". During that era, there were several major trends. Firstly, this is the style of the "new Russian", for which the famous crimson jacket was traditionally chosen, as well as massive accessories - a chain around the neck and a wrist watch.
Secondly, it is a sporty style - young people in those days were actively engaged in gyms.
Another must-have in the wardrobe of those beauties who were almost ruined by the women's fashion of the 90s is leggings in acidic and metallic colors and flashy (“leopard”, “zebra”, etc.) prints. At the same time, the flaws of the figure were not taken into account - it was customary to fit even plump hips, and put on a skirt on top - a short and tight "elastic band" or a flared "lambada". Soon appeared worthy alternative leggings - dense multi-colored tights "dolchiki", which fit well under slip dresses that migrated from the lower wardrobe to the evening.
Representatives of youth underground subcultures had a hard time. How to stand out among the gray mass of the townsfolk, if it has long been not gray, but motley to the point of impossibility? The integral attributes of the youth fashion of the 90s were jackets "leather jackets", leather pants, tights in a large mesh, ripped jeans.
Those who preferred the hippie style opted for casual, loose-fitting outfits that did not need to be ironed to perfection.
At the end of the decade, after the release of the Titanic movie, teenage girls began to wear white tops, T-shirts and T-shirts with the image of the main characters.
Accessories and shoes
The favorite accessories of women, which were designed to complement the main image - leather backpacks and bag bags, which saved in all situations, whether it was travel, shopping or a romantic date. In the cold season, ladies dressed in berets and unforgettable angora bonnets, which played the role of a hat and a scarf at the same time. At the peak of women's footwear fashion - a platform, over the knee boots, multi-colored rubber "soap dishes", half boots with fur trim. Men preferred sneakers and sneakers.
In the fashion of the nineties, any available jewelry was most often chosen for the role of jewelry - metal chains, pendants, watches, massive earrings, clip-on earrings and bracelets made of plastic in bright colors. Appropriate hand-made accessories were selected for hippie-style clothes - beaded baubles, headbands, leather bracelets and brightly colored laces. By the way, not so long ago the so-called, which is a modernized echo of that particular era, came into fashion.
Makeup and hairstyles
The desire to look defiant continued in makeup. The make-up of a woman of that era was really "combat". There was no emphasis on any one part of the face - with the help of decorative cosmetics in saturated shades, lips, eyes, and cheekbones were simultaneously emphasized. Moles, arrows were drawn, purple lipstick was used.
These were crazy bouffants, and ponytails that did not interfere during aerobics, and smooth, even squares that business women preferred.
Nevertheless, they have formed their own language of expression, street styles, fashion, art, communications, and a self-sufficient music market.
Hippie
The heyday of the movement based on music lovers, psychedelic and hardrock addictions, which gave rise to an all-Union system of registrations, forest and beach camps, home concerts, as well as hitchhiking, fell on the mid-70s. By the beginning of the 80s, hippie fashion swept the capitals; in Moscow, hippie communication covered the Boulevard Ring, Arbat and Mayakovsky Square. The ranks of the movement were joined by Beatleman students, street bards and a generation of children of the Soviet intelligentsia who were engaged in unofficial creativity.
Hippie 1984
Hippie. Not far from Tourist, 1988
Hippie. At the entrance to Saigon, 1987
dudes
In the 1980s, the movement was revived due to the interest of young people in retro style. These groups appeared in Leningrad under the name of "secretists" in Leningrad, and in Moscow they were called "bravist" (after the names of the groups Bravo and Secret)
Stilyagi. Anton Teddy and comrades, 1984 Photo by Dmitry Konrad
Stilyagi. Rus Ziggel and Teddy Boys. Leningrad, 1984. Photo by Dmitry Konrad
Wide Stilyagi. Moscow, 1987
newwavers
The new wave movement received a rather vague manifestation in Soviet society. Initially based on music lovers in the form of electronic experiments and the aesthetics of post-punk "new romantics", domestic new wavers compiled their external aesthetics on the basis of "clean style", hairstyles of a certain type and make-up, with elements absorbed from other already established movements, ranging from breaking glasses, ending with the post-punk "dark style".
After 85 years, following the partial legalization of foreign non-radical styles, the popularization of disco and the rise of the metal wave, the general mass " new wave divided into two camps. Disco fans of foreign pop and branded items and labeled "poppers" because of the fascination with pop music of the 80s. And more advanced newwave mods who were in close contact with the creative underground, experimenting within the framework of mod and post-punk traditions.
Newwavers. Leningrad, 1984
Newwavers. Newwave at MEPhI, 1983
Newwavers. At the Lighthouse, 1990
Breakers
In the early 80s, the echoes of the hip-hop movement reached the Soviet youth, they manifested themselves in the form of the "breakers" movement (according to the local definition of the dance style). Originally a lifestyle that combined skateboarding and disco dancing, this style was represented by a small student fashion environment and the "golden youth" of the South-West of Moscow. But by the mid-80s, after the opening of youth cafes and the release of the film "Dancing on the Roof", the breakers were presented only as a dance subculture, with their experiments in the field of appearance.
Breakers. Arbat, 1986. Photo by Sergey Borisov
Breakers. Arbat, 1987. Photo by Yaroslav Maev
Break dance, 1987
rockabilly
The style itself became widespread thanks to the pan-European revival of classic rock and roll and the beginning of the psychobilly movement in the second half of the 80s. In the Soviet Union, this manifestation was superimposed on the New Waver costume fashion, but already after 1986 it became isolated, partly in the Kupchinsky underground (Leningrad), partly rocker (Moscow, Moscow Art Theater), and among the Elvis Presley fan club (Moscow) with party places at the station. metro Revolution Square and the Catacombs (the ruins of the Greek Hall)
Rockabilly. Hedgehog and Moor, 1987
Rockabilly. Leningrad, 1987
Rockabilly. Rockabilly on the Arbat, 1989
rockers
The term "rockers" appeared in the early 80s and was originally applied to Soviet fans of rock music. But, already since 1984, the label "rocker" has stuck with hard rock fans, who gravitate towards external styling similar to British "coffee bar cowboys" and American bike clubs. In September 1984 (Coverdale's birthday), the term was raised to the flag by a group of heavy rock fans at the TsPKO. Gorky, and later spread to the first moto gangs of Moscow "Black aces" and "Street wolfs", then to all moto associations until 1989.
Rockers, 1987
Rockers, in the backyard of the Moscow Art Theater, 1988
Rockers, Night out, 1988
Metalworkers
Actually, the term “metal-worker” itself originated at philophonic parties in the early 80s, when at the turn of the decades the rhythms of the groups changed, which were previously known as “hard rock” by Soviet standards. The “heavy metal” slogan, traced from foreign magazines, initially applied to “kisomaniacs” and other fans of “hardrock” of the early 80s. Metal corrosion”, “E.S.T.” and other groups of fans began to be called "metalheads"
Metalworkers from Gorky, 1987
Metalworkers. VDNH, 1986
Metalworkers. XMP-89, Omsk
Punks
The most ideological and, at the same time, apolitical movement received its first manifestations at the turn of the 80s. Not possessing the completeness of visual information about foreign analogues, but understanding the effectiveness of the artistic caricature lifestyle, this phenomenon manifested itself in the form of parodic street idiocy, artistic foolishness, gradually acquiring non-Soviet paraphernalia, music and art.
Being the most “offensive” social manifestations for the Soviet menclature (frankly discrediting the image of a Soviet citizen in front of foreign tourists), “Soviet punk” was subjected to the most intense pressure from the Komsomol, the police and gopots. All this led to radicalization; the fusion of punks and rockers, the formation of hardcore, krusty and cyberpunk styles, with the first "Iroquois" on deranged heads of carriers. To the surprise of the representatives of the Soviet punk underground, when information gaps were discovered in the Iron Curtain, it turned out that these manifestations coincided with the advanced global subcultural trends.
Punks. DK Gorbunovo, 1987
Punks. Leningrad, 1986. Photo by Natalia Vasilyeva
Punks. Moscow, 1988
Fashion
With the filing of the first "new dudes" and having received its starting impetus from the mod movement of the 60s, the USSR received a reverse vector of development from Soviet punk to vintage motifs of the past. At the same time, without losing radicalism at all, the Soviet “mod styling” of the period of avant-garde artistic movements of the 80s became a hallmark for many participants in musical and art projects, uniting diverse artistic people who gravitated towards music omnivorousness and let through all the latest innovations from fashion and music. Such characters, disparagingly referred to in the art environment as “mods”, participated in most key shows and performances, were carriers of the latest fashionable and near-cultural information and often shocked the population with costumes and punk antics parodying socio-menklotura costumes.
Fashion. Moscow, 1988
Fashion. Moscow, 1989. Photo by Evgeny Volkov
Fashion. Chelyabinsk, early 80s
hardmodes
A short-term manifestation of this intermediate foreign style of the 70s occurred at the end of the 80s, in connection with the rallying of radical informal circles during the opposition to pressure and the influx of a new wave of truly marginal elements, following the popularization of informal movements at the turn of 87-88 (accurately after a turning point in street battles with "lubers" and gopniks). It is worth noting that such manifestations in a caricatured ironic form were present in the expanses of our homeland, when radical informals dressed up in protoskinhead outfits, cut their heads bald out of harm, and crowded in crowded places. Frightening with their appearance the policemen and the townsfolk, who in all seriousness listened to Soviet propaganda, that de all informals are fascist thugs. The hardmodes of the late 80s were a sublimation of the punk, rockabilly and militaristic style, and of course, having never heard about how they should be called according to the stylistic classification, they preferred the self-name "streetfighters" and "militarists".
Hardmodes. Red Square, 1988
Hardmodes. Moscow Zoo, 1988
psychobills
Psychobilly manifested itself to a greater extent in Leningrad at the turn of the 90s, together with the Swidlers and Meantreitors groups, when groups of young people formalized this direction musically, standing out from the rockabilly environment. But even before that, there were individual characters who fell outside the framework of the new subcultural leagues and preferred rock and roll polymelormania. In terms of dress code, this attraction was close to punk aesthetics.
Psychobills. In the courtyard of a rock club, 1987. Photo by Natalia Vasilyeva
Psychobills. Leningrad, 1989
Psychobills. Muscovites visiting Leningraders, 1988. Photo by Evgeny Volkov
Bikers
During the clashes with gopniks and "lubers" in the period from 1986 to 1991, special active groups emerged in the rock and heavy metal environment, which at the turn of the 90s were transformed from motto gangs into the first motto clubs. With its visual paraphernalia, modeled on foreign bike clubs, and on heavy motorcycles, modernized by hand or even post-war trophy samples. Already by the 90th year in Moscow it was possible to distinguish the groups "Hell Dogs", "Night wolves", "Сossacs Russia". There were also less long-term motorcycle associations, such as "ms Davydkovo". The self-name bikers, as a symbol of the separation of this stage from the rocker past, was first assigned to a group that rallied around Alexander the Surgeon, and then spread to the entire motto movement, gradually covering many cities post-Soviet space
Bikers. Surgeon, 1989. Photo by Petra Gall
Bikers. Kimirsen, 1990
Bikers. Night Wolves on Pushka, 1989. Photo by Sergey Borisov
Bikers. Theme, 1989
Beatniks
A phenomenon no less multifaceted than the aesthetics of punk, Soviet beatnik originates from the distant 70s, when fashionable decadents who visited haunts, grew their hair below their shoulders and dressed up in leather jackets and "beatlovki" fell under this term. This term also included “labukhs” - musicians playing music to order in Soviet restaurants, and simply people outside some kind of “leagues”, leading an isolated and immoral, from the point of view of Soviet aesthetics, lifestyle. This trend by the early 80s was aggravated by a casual appearance, defiant behavior and the presence of some kind of distinctive element in clothing. Be it a hat or a scarf or a bright tie.
Beatniks. Bitnichki, Timur Novikov and Oleg Kotelnikov. Photo by Evgeny Kozlov
Beatniks. Parade on the first of April, Leningrad-83
Beatniks. Chelyabinsk, late 70s
fans
The movement, which originated in the late 70s and consisted of “kuzmichi” (simple stadium visitors) and traveling elite who accompanied teams to matches in other cities, by the beginning of the 80s had found its own regional leaders, acquired “gangs”, merchandise and turned into in football communication. After quick start Spartak fans (the most famous party center of the early 80s was the beer bar "Sayany" at the metro station Shchelkovskaya), who held their city actions and parades, "gangs" around other teams just as quickly began to appear.
Fans. Moscow, 1988. Photo by Victoria Ivleva
Fans. Moscow-81. Photo by Igor Mukhin
Fans. Acceptance of a Zenith fan in Dnepropetrovsk-83
Lubera
A peculiar direction formed at the junction of the bodybuilding hobby and the youth supervision program.
Initially assigned to a local group of people from Lyubertsy, who often come to the capital to places of recreation for young people, the name “Lyubera” has been interpolated since 87 not only to heterogeneous groups that do not have connections with each other, but also to larger groups that concentrated during this period in the Central Park of Culture them. Gorky and Arbat. Zhdan, Lytkarinsky, state farm Moscow, Podolsky, Karacharovsky, Naberezhnye Chelnovskaya, Kazan - this is an incomplete list of the “brotherhood near Moscow”, which tried to control not only the designated territories, but also other hot spots and railway station squares.
Initially encouraged by the authorities, who hoped to place these formations in the canvas of the "people's squad", these groups did not have a common dress code except for sportswear, but also had conflicting interests consolidated only as part of the aggression against fashionistas and "informals".
Luber. 1988
Luber. Africa and Lubera, 1986 Photo by Sergey Borisov
Luber. Lubera and Podolsky in the TsPKO them. Gorky, 1988
On December 2, the CJC hosted a festival in memory of the legendary musician Papa Lesha under the ambiguous and controversial name "Hippie End". Umka and Safety Magic became the headliners of the festival, but for such subcultural events it is always more important who came, not who played.
And just the most expected characters came. The difference between those sitting in the hall and performing on stage is practically erased. The hippie generation of the 80s and 90s is a completely lost island in the ocean of modern life. It is difficult for today's teenagers to explain why those people who sang and wrote poetry in those years are so legendary. That refreshing wind of freedom that the hippie generation brought into the suffocating gray reality of Soviet times does not even seem like a light breeze today. The irony over stamps is no longer readable, due to the disappearance of the stamps themselves.
The generation of hippies of the 80s and 90s collected funny signs of ridiculous content, sang songs turned inside out and declared a complete rejection of work of uncreative content. This is not the “generation of janitors and watchmen” that BG sang. These people could only work as janitors temporarily. Because they constantly wandered from flat to flat, from an entry in one city to an entry in another, they could go swimming in the Crimea at any moment in a good mood, and went basically without money. Because cars hitchhiked, askali on the way, they got money for food by playing the flute and singing to the guitar.
Best of all, the life of a hippie is described by the lines of Papa Lesha himself, honest and harshly ironic:
Where are you from? - From Petrograd ...
Oh yes! Well, what is there? - Yes, everything is as it should ...
We were in May, fit in with Lov ...
Do you know Lova? - The dude is cool! ..
Yes, very cool, and that's where we lived,
We lived on Lova's flat all May,
What are you next? - No, back...
When? - Tumorrow... - Yeah, I see...
Are we coming to you? - Of course, cool! ..
Pacific found! – Will be healthy!
And after - hired - Kayfovy people!
Everything is in full Wright - let's go to St. Petersburg!
Oh yeah! Let's go ... And what will happen there?
All the same boredom, all the same people
All the same spokes, flats, layouts,
All the same Sams and the same Magdas,
Carts, racing, tea until dawn...
What is it, what is all this for?
This generation was lost from the beginning. It didn't fight for life. Hippies of the 80s and 90s died like a fan. Someone committed suicide, someone died from hard drugs, most often young and talented people simply became drunkards. The fact that Papa Lesha survived until October 2005 seems like an incredible fantasy and a caustic grimace of life. He should have died much sooner. From the immoderate consumption of alcohol, his kidneys had not worked at all for several years, in hospitals they confirmed and refuted the diagnosis of AIDS ... And yet Alexei Barmutov remained a subtle, smart author writing incredibly powerful driving songs. When he died, he was only 45.
Why do I keep mentioning the 80s and 90s? Because there is no mutual understanding between generations even within these same Russian hippies. Some of them fell into veganism and animal protection (Lyubava), some again and again copy the Beatles of the 60s, some go to sketes and communities remote from civilization.
At the festival in memory of Papa Lesha, for the most part, those same people gathered. who survived. The host of the evening was the Hobbit (Aleksey Beketov), whose caustic and often deviant poems amaze with philosophical depth. The hobbit recalled some stories related to Papa Lesha (they were close friends "not-spill-water"). And read poetry. I read something from Papa Lesha, something from myself. The texts of the famous songs that have spread among the lost generation are still amazing in their relevance. Words addressed to the Brezhnev system may well be addressed to Putin's, and indeed to any social system of thought prone to totalitarianism.
Umka said that she had a lot to do with Papa Lesha. They performed together at festivals, sang together at apartment houses, the police broke up these forbidden concerts ... Now we can already say that Umka and Papa Lesha became the most prominent faces of that generation. Umka sang for about half an hour to the guitar, remembering old songs. She performed a new one, just written, with the words: “You will excuse me if I forget the words.”
Sobaka (Andrey Rusinov) couldn't come, but Rostik (Rostislav Zvezdin) arrived and put on a real country blues show with his Rost-n-Roll Brothers project. Turmoil sang one song of Papa Lesha with the guitar.
The star of the national ethno-jazz scene, the band "Safety Magic" played a meditative set of their best compositions. Guitarist Dan Lerman played a lot of jam sessions with Papa Lesha in his time, and bass player Mikhail Avsharov is the bassist of Papa Lesha's most famous band called Lubok. Behind the scenes, Umka exhales with admiration: “You play great! I would like to record something with you." Safety Magic has a very busy schedule, without waiting for the end of the festival, they leave for the train station. The next day they have a concert in Nizhny Novgorod with Inna Zhelanna.
A theatrical performance of one of Papa Lesha's songs shows Navn (Natalya Vinogorskaya). She takes the stage with a sheathed guitar. And he explains: “This cover was once given to me by Papa Lesha.” Films and sings in a trembling voice one of his most soulful things.
The Boston Tea Party is one of those bands that continues the tradition of melodic hippie songs with guitar and violin, enriching it with the grace of the Silver Age style. Beautiful and sad melodies pour from the stage, making you think about the fate of the countercultural intelligentsia.
The protest against the vulgarity of momentary existence was once expressed in an antisocial way of life. Few creators were able to enter the countercultural layers of creativity, comparable to the discoveries of the avant-garde titans of the 10-20s of the 20th century. Papa Lesha in the last years of his life developed technologies for influencing white noise on textual conceptual series. Perhaps his archival records are still waiting for their researchers.
The festival ends with a hard set of the group "Trust", ideologues of pseudo-suicide. Powerful drive and honest infernal-everyday lyrics are the calling card of the group. Quarter guitar riffs wrap around a pulsing rhythm section, Vladimir Kolosov is focused and precise.
And everyone came out for the final song. Participants and non-participants. Friends and associates. The children of Papa Lesha came out. “Here I die, I die” is a hymn to love of life and self-irony in any circumstances. Papa Lesha's song to the tune "Happy Birthday" was written five years ago, but became widely known in the narrow circles of "those same" hippies. The choral performance of “Here I die, I die” to the accompaniment of “Trest” was discordant and raw, but from the heart. Vladimir Veselkin (ex-"Auktsyon"), according to the old tradition, poured a whole box of cigarettes onto the stage.
May the earth rest in peace for you, Papa Lesha.
Guru KEN, NEWSmusic.ru
Photo - Svetlana MALTSEVA, NEWSmusic.ru
As you already know, fashion is cyclical, so all trends are gradually returning. 90s style again at the peak of popularity. Oversized sweaters and jackets, banana pants and Soviet sweatshirts have returned to us from the recent past.
Cloth
An integral part of the wardrobe of the 90s was clothes in the style of disco, rock, punk and rap. Remember the Kar-Man group, the singers Viktor Tsoi and Bogdan Titomir, and pay attention to how they dressed. Among the then dandies and fashionistas were popular colored leggings, rubber sneakers, voluminous down jackets, sweatpants, boiled skirts, jeans and leather jackets. To fully imbue the style of the 90s, you can watch the Dutch film "The New Turbo Boys", where eccentric characters are dressed according to all the rules of the old school.
Jeans
At that time, special attention was paid to denim clothing- Only the lazy did not go in it. Avid fashionistas managed to wear jeans with denim shirts, bags and boots. The style of the 90s can be safely called "denim", since every person had such a thing in more than one copy.
Music influence
Style unisex in the 90s fell in love with the whole world. His main attributes were sneakers, wide T-shirts and jeans. Heels were replaced by massive sports shoes. Oversized jumpsuits were worn by both girls and boys. Style grunge appeared when the popularity of Nirvana increased. Musician Kurt Cobain wore old tattered clothes that shocked many fashion house owners. His rebellious look had several elements of hippie and punk: long matted hair, ripped jeans and rough boots. In order to try on such an image now, it is enough to go to any mass-market class store and choose the latest models of the 90s style for yourself.
Fashion
In the 90s, the main fashion capitals were Paris, Milan, London and New York. Fashion makes two already famous designers insanely popular: Gucci and Prada. For them, this time was the beginning of the conquest of the world. From minimalism, the clothing style is moving into an urban look. Things are now meant more outdoor than for a secular reception. Russian girls tried on a hooligan image under the influence of the musical direction "hip-hop". He was characterized by wide trousers, a large jacket or hoodie, a cap and sneakers.
hairstyles
In Russia 20 years ago were popular lush hairstyles. Long flowing hair, raised at the roots, is the main style trend of the 90s. Singer Madonna often wore a ponytail. Her images influenced the appearance of Russian fashionistas. Old series also dictated the fashion for hairstyles. Smooth and smooth bob, tight knots and straight bangs were the main attributes of the style of a business woman in the 90s.
How to dress?
It doesn't take much effort to dress in 90s style. Now in the range of stores there are models "from the past." Jeans relevant for more than one season. For winter, muted shades of blue with the effect of small stains are suitable, for summer - light "dumplings" with gradient transitions. You can make a similar decor with bleach and boiling water. Long denim skirts you can safely get out of the old mother's wardrobe. In those days, models with vertically located buttons were relevant. To modernize such a retro thing, bleach the bottom of the skirt and wear it boldly in the summer.
Biker jacket
"Kosukha"- an important part of the wardrobe in the style of the 90s. A few years ago, it ceased to be a “uniform” only for rockers and bikers. At the moment, classic black "leather jackets" are moving away, giving way to pastel shades. To freshen up your 90s style look, add a mint or pale lemon jacket in a similar cut to your wardrobe. "Kosukha" universal so you can wear it with almost anything. In cool summer weather, wear it over a light dress, and in spring or autumn - with jeans, sneakers and a sweater.
Tights and leggings
The first thing that comes to mind from the style of the 90s is bright leggings. Now they are increasingly called leggings and are referred to as a purely feminine wardrobe item. Leggings made of elastic fabrics are back in fashion. Their distinctive feature, preserved from that time - prints. The popular swag culture has embraced tight-fitting spicy spots in the feminine image. Prints with space, skulls, geometric shapes and natural-animal motifs are the trends of this season.
Sweaters
Shapeless sweaters with an ornament - the peak of the season. The size of "oversize" has been relevant for several years, but many are still afraid to return to the "dashing 90s", but in vain! A unisex sweater with ornamental and geometric patterns is a real find for those who want comfort and warmth. Its shape is able to hide all the flaws of the figure, and if, on the contrary, you want to emphasize a thin waist, put on top leather belt. For a 90s-style sweater like this, head to your local thrift stores or thrift stores.
