Non-verbal communication between a man and a woman is a sign. Non-verbal means of communication between men and women. Exercise for training warmth in the gaze

Non-verbal sexual signals from women are very diverse, although they are often unconscious.

Nature is wise. And if living organisms are faced with the task of multiplying and multiplying, then Mother Nature will do everything to ensure that this function is performed at the appropriate level. In the previous article, we looked at the sexual signals of men. Today the better half of humanity will appear before our eyes.

Hello dear women. Now we will try to figure out what witchcraft charms you use to attract men. Go.

To begin with, let's analyze a completely standard situation. A young girl is sincerely indignant at the too active attention from men to her modest, as it seems to her, person. They say, they constantly come up, try to get to know each other, pester, fight for a phone number and do other unpleasant, which I doubt, nonsense. She did nothing to provoke them to such behavior. They're probably all preoccupied perverts.

At the same time, men perceive the situation completely differently. An over-short skirt / dress, all these neckline / slits, fleeting inviting glances (to be honest, I can't describe exactly how you need to look in order for the glance to express exactly the appeal, but probably somehow it works out). And, most importantly, she straightens her hair. Everyone knows that when a girl straightens her hair, she shows by this that you are interested in her. All of this taken together gives men a hint of the likelihood of contact. The hint is so thick, and the contact is supposed to be so deep that not being active is like signing your own impotence.

And so one side of the conflict wonders why they cling to it, and the second - why it freezes, the very first start.

Somewhere the alarm system is malfunctioning.

Let's now deal with the signals that women send to men. By tradition, we will divide them into three groups.

1. 1st stage contact signals... These are signals that indicate that you have been noticed and that your presence has been taken into account.
2. Contact signals of the 2nd stage. They are interested in you and are trying to attract your attention, stand out from other competitors.
3. Contact signals of the 3rd degree. You are given a clear message that the relationship is worth developing. These are the most real pre- or near-sexual signals.

Signal group 1.

For starters, a woman simply demonstrates that she has noticed you. I noticed you exactly as a man. And she does it completely unconsciously.

Sign 1. Tossing the head.

Sounds very dynamic. In fact, this is a slight movement of the head, the purpose of which is to turn the face towards a potentially interesting object. That is, when a man appears, a woman breaks away from her affairs, raises her face and turns it towards the man. Nothing more. A completely harmless gesture. True, to especially concerned men, and this may seem like the height of coquetry.

Sign 2. We fix the hair.

Women straighten their hair, removing it from the face, opening the area of \u200b\u200bthe eyes, nose, cheeks. The trick is that often women make this gesture without even looking at the man. However, at the same time they reveal their face. And most importantly, the face is slightly opened from the side of the man who is interested in them. This is done both in order to see him better, and so that he can see her face better. And everything is completely unconscious.

The natural enhancement of this gesture is the head tilted to the side, which exposes the neck. However, amplifiers and strippers are already a higher level of contact, so about them later.

Confusion often arises at this stage. Often, women demonstrate these signals unconsciously, without even noticing that they straighten their hair and open their faces only at the moment a handsome man appears on the horizon. And this serves as some moral justification for those who immediately start mooring to pretty people.

However, in defense of women, it must be said that at this stage they really do not have any far-reaching plans. In fact, the female essence simply signals the body of the opposite sex that it has been noticed and registered. Nothing more. However, this is enough for men to immediately try to ruin the relationship that has not begun with excessive persistence.

Signal group 2.

There will already be a more diverse range. Women are more perfect beings. And their sexual signals, especially at this level, are much more diverse than that of men.

To begin with, I would divide this group of signals into attraction and anchor signals.

Attention signals are designed to get the man to pay attention to them. It is important to stand out from the general background here. And the background can be either neutral, when a girl has practically no competitors at this stage and she just needs a man to switch from work issues to non-work, or aggressive, when several competitors are present in a limited space. In many ways, these signals are similar to those of men, but of course with their own characteristics.

Sign 1. Smile.

When we smile, we become beautiful. Even not very sophisticated features of the face of the feast of a smile acquire beauty and attractiveness. Let's do a thought experiment. Let's take two female twins, it doesn't matter what age. One of them will smile, and the other will sit with a neutral face. Which one is more attractive? The answer is obvious. And it doesn't matter at all that the smiling ugly woman does not become more beautiful than the haughty beauty. She will become more beautiful than the previous one. And most importantly, men are more likely to approach those girls who smile, and not those who are more beautiful. Beauty without a smile scares the fragile sexual desires of men.

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Of course, there is a demand for the haughty look, but about the views a little later.

Sign 2. Laughter.

For a man, the main thing is to laugh louder, and for a woman - to the spine. Laughter, like smiling, artificially makes us more attractive.

Sign 3. Gait, like a boat in the sea.

There is nothing more attractive (for a man) than a smooth swaying of luxurious female hips. The dance of the lower back of a woman's body while walking turns an ordinary movement of the legs into something for which a man is ready to sell his homeland, his mother (for a short time) and a couple of military secrets from the chief's safe.

The reason for male attention to female gait lies in the depths of our evolutionary path. A certain body structure, a balance of height to weight and a number of other parameters create that very exciting gait for men. And the structure of the body determines health, and physical strength, and the ability to bear children, and other functions useful for the survival of the species. That is, women who have a more beautiful gait have more developed abilities to survival. Everything is prosaic.

Sign 4. Posture and all that jazz.

The task of the female body at this stage is to attract attention. A man is able to appreciate female beauty not only during a fashion show, but also in a more static position. Moreover, women do not always have the opportunity to stand and walk in front of potentially interesting partners. Women correct their posture, arch their backs, demonstrate the height of the bust and the length of the neck. And they often become in such a way that they cross their legs at the ankles, which further emphasizes the narrowness of the waist and the width of the hips.

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Roughly speaking, a woman tries to be in the right perspective so that all her advantages are seen in the best possible way.

Sign 5. Flirtatious look.

There are a lot of women in the world around us. Charming and breathtaking. And a "decent" man rarely pays attention to anyone. But as soon as he stumbles upon one sign, and all the others cease to exist (for a while), and the male legs turn themselves and carry him to the one and only one that LOOKED at him!

A short second glance, especially performed over a book, magazine or shoulder, and then repeated such a quick glance within 30-40 seconds, can knock a man off any of the most correct paths. Men perceive such shooting with their eyes as a clear invitation to communicate.

Most of all men are not turned on by a gaze, but such a fearful contact, when a girl averts her eyes to the side (or shamefully lowers them down - here you are already caught, dear men, you have no chance against such a weapon) as soon as she notices, that the man fixed his attention on her.

After making sure that the man is on the hook, the woman moves from attracting signals to fixing movements. And the demonstration of roundness and nakedness begins.

Sign 6. Roundness.

A sexual sign of a woman's powerful interest in a man. Women try to arch their backs and maintain their posture so that their breasts acquire additional advantages and begin to attract with their rounded shapes. They (women) assume an asymmetrical posture, exposing the attention-grabbing slope of the shoulder. Or, in an effort to enhance the effect, they expose their knees. Of course, a short skirt and high heels doom the knees to a constant demonstration, but at the moment of strong interest in men, women turn their knees towards the subject they like.

Other parts of the body can also act as roundness. For example, the back of the wrists when the girl places her head on her crossed hands.

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Sign 7. Nudity.

Here, the entire historical path traversed by the modern clothing industry works for women and their insidious desires. The straps slide off the shoulders, the cutouts show the elasticity of the shapes, and the slits reveal hints of the true natural beauty of the female body. Plus, do not forget about the shortness and airiness of modern outfits and it will become clear to you that men simply have no chance.

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When this is not enough for women, they use "heavy artillery".

One of the most demonstrative and obscene gestures is the demonstration of armpits. Women put their hands behind their heads, usually when laughing, leaning back and in a reclining position, or when braiding their hair in the presence of men.

A more modest option is to showcase the inside of the wrists. The cigarette in hand is very helpful. Or in the end - a demonstration of the neck. A simple and unpretentious way to attract and retain male attention.

Sign 8. Playing with hair.

The longer the hair, the greater the flight of imagination they open to retain male attention. The women loosen and braid their hair again. They throw the braid from one shoulder to the other. They ruffle the back of their heads if they have a haircut. They twist the curls on the finger, then dissolve and wind again. They stroke themselves on the head, running slowly and smoothly through their hair. The entire list of this murderous arsenal can take more than one paragraph.

Sign 9. Mimicry comes into play.

Usually, when non-verbal communication reaches this level of signals, then verbal communication has been going on for more than one minute. And facial expressions help to recognize that a woman is really interested in her partner for the time being. The strongest reaction in this case is surprise. Men at the initial stage of acquaintance always strive to surprise and make their darling laugh. These are the actions that they take to reduce women's criticism and suspicion.

And if a woman is surprised and shows rounded eyes and raised eyebrows, then the man is on the right path.

Signal group 3.

At this level, men have almost no chance. A woman who wants a man can only be stopped by another woman who does not want this.

The sexual signals of this group are not even signals anymore. These are the signs of the beginning of foreplay. Although at this stage there are men who can ruin everything with their haste or slowness. Well, God is their judge for this, and evolution is their executioner.

If in the previous group of signals we considered the arsenal of heavy weapons, now we will move on to weapons of mass destruction.

Sign 1. Reducing the distance.

A woman willingly accepts a man's intrusion into her intimate area (I wrote about it in one of the previous articles of the School of Nonverbaliki) either takes the initiative and invades itself. If you, dear men, found that your face is less than 30 centimeters from her face for more than one and a half seconds and you have not yet been removed and have not fenced off from you in any way, then this sign has already worked.

Sign 2. Gestures.

Women begin to copy your posture, your gestures, your facial expressions. And gestures also acquire a slow, viscous smoothness. The pace of gestures either matches yours (although it can be an intuitive rapport), or its movements become smooth, slow, and bewitching with its plasticity.

Sign 3. Lips and tongue.

To show the delights of her slopes, a woman needs the next level of demonstration. And here the tongue and lips come into play. Women slowly open their mouths - and for a short time the tongue enters the field of view. The worst case is when women begin to slowly lick their lips. A more deadly sexual signal is hard to imagine.

Although, in order to damage the male psyche, girls just lick the edge of the champagne glass, and the man will immediately run for the next bottle. In this case, the lips acquire a moist shade and swelling, they open slightly, exhalation often goes through the mouth.

The fact is that sexual arousal makes the blood circulate more actively in the area of \u200b\u200bthe mouth. Thanks to this, the sensitivity of the lips and tongue increases, the sense of smell and touch is sharpened, we begin to experience a stronger pleasure from touching the lips.

It is no coincidence that girls with pumped lips have become so fashionable. No matter how comical it may look from the outside, at close range, a man can do little to oppose the murderous power of puffy lips.

Sign 4. Stroking and biting.

Just like men, women in a state of arousal have a heightened sense of pleasure from touch. Touching yourself or something inanimate is a substituted desire to touch another person. Therefore, sexual arousal is usually accompanied by stroking the legs of glasses, own legs, fingers, stroking objects or jewelry. It's all to blame for a rush of blood and an aggravation of the skin's sensitivity. At this stage, touching of the partner begins, which is lingering and light.

However, when the desire increases, the teeth come into play. In expressive natures, the desire to bite manifests itself long before direct sexual contact. The girls bite a straw of a cocktail, their own lips, a cigarette filter.

Sign 5. Down with clothes.

The same symptom as in men appears in women. Playing with watch bracelets, unfastening their strap, removing jewelry bracelets, playing with the chain (and biting it), swinging a shoe on his toes - all this speaks of a hidden subconscious desire to get rid of clothes. This does not mean that the woman will begin to undress right there, as soon as she is left alone with you. It just means that she is very sensitive now and trusts you to the extent that you should be trusted at all. But if a man has reached such a level of signals with a woman, then the likelihood of sex is already very high.

In addition to non-verbal signals, there is one more type - behavioral features.

In ancient times, a man brought a mammoth to a woman, and she tried it. If the mammoth turned out to be fresh, then she could afford to eat a little. This meant that, as a sexual partner, he was comfortable with her, and it came to prolongation. In the wild, there are plenty of species where males buy sex for food. Birds bring insects, insects bring other insects, and people bring anything to make it work.

So, when your woman eats what is on your plate, this is a sign of an ancient sex-role-playing game. Men, don't miss your chance.

Interpretation errors.

Of course, this article does not list all female sexual signals. And not even most of them. Moreover, the mass of women may be deeply indignant and say that by demonstrating this or that gesture, they really did not mean anything like that. You're right. You are not. And your subconscious mind - yes.

However, you don't need to take sexual cues literally. If you are communicating with a man who is not at all attractive to you, and during the conversation one or two sexual gestures slipped through - well, maybe he is focused not on this man, but on another? Our subconscious is very cunning, and no one has yet been able to sort it out and explain it.

Men, on the other hand, need to remember that often all kinds of sexual signals that a woman shows are directed not at him or even at other men, but at women. And this is not about lesbian passion. Everything is much more prosaic.

A woman sometimes dresses sexually not in order to please her man, but in order to do something unpleasant to another woman. The tonnage of male attention is the currency for which a place in the hierarchy is bought. We are herd animals, and we constantly need to demonstrate our status, our place on the rungs of the social ladder. And such things as power, money, position in society are not all that is a measure of success. For women, this set is more diverse.

Everything that is stated is in perfect harmony with the behavior of quite confident women. If a girl is shy and considers herself not so pretty as to compete with heavier competitors, then her alarm will be suppressed. Although this does not mean at all that she is more unapproachable than her liberated friends. So, dear men, be careful. A bare knee and a rounder shoulder are not yet a sign of accessible sex. Affordable sex is not a guarantee of happiness.

I hope that by completing this article we are not closing the topic of sexual relationships in the School of Non-verbalism. This topic is large and interesting. And we will return to it later.

In the next article we will look at an equally intimate thing - touch. How body contact solves problems, what gives us financial touch, and why people need to be touched. All this and much more will be expected in the next article of the School of Nonverbaliki.

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Probably every woman would like to understand the "secret", non-verbal signs of a man in love. When a person is agitated, irritated, upset, or carried away, their body sends out certain signals. You just need to be able to recognize them. Psychologists say it's not that difficult. From the first seconds, you can tell a lot about the inner state of a person. This will be immediately noticeable by his facial expressions, gestures and even posture. What are the signs that indicate that a man has sympathy for you?

1. An interested man's gaze will slide from head to toe or linger on certain parts of your body. The more dilated the pupils, the more he likes you. If during the dialogue a man looks you straight in the eyes and does not make unnecessary gestures, then most likely you are just an interesting interlocutor.
2. Our eyebrows are always slightly raised when we are glad to see a person, and frowned if the person is not interesting to us. When the interlocutor knits his eyebrows, he is lying.
3. If during a conversation your interlocutor tilts his head to the right or left, nods to the beat of your words, then he is clearly interested in what you are talking about. If not, perhaps he is not interested not only in your story, but also in you.
4. The more a person smiles at you, the more he likes you. Fast, slightly nervous smiles, lip tightening, and any other asymmetrical lip movements are a sign that a man is uncomfortable.
5. If a man is sexually attracted to you, he will constantly bite his lips or tap them with his finger.
6. Automatically stroking eyebrows or hair are also non-verbal signs of a man in love and they mean interest in you. Rubbing your chin - on the contrary, you bore him, and maybe even annoy him.
7. Every man is afraid of being rejected. Therefore, in addition to sympathy and interest, he may experience insecurity, awkwardness and excitement. To relieve internal stress, a man begins to sway, rub his face, sway on a chair, fiddle with buttons or a tie. If in your presence a man shows signs of obvious confusion - he is not indifferent to you.
8. The copying of actions can also suggest an attraction. For example, you take a glass - he too, you touched your ear or hair - and he did the same.
9. When you attract a man, he wants to touch you. Therefore, he will try to be as close to you as possible or imitate a hug: lean on the rail or the back of a chair behind you. The most harmless touch is, of course, a handshake. You can also learn something from it. If a man holds out his hand to you, palm up, he unconsciously acknowledges your will over him. If he clasps your palm with both hands, it means that he expresses sincerity and trust. An imperceptible handshake - unwillingness to draw the distance.
10. Unconsciously, at the sight beautiful woman, the man begins to smarten up. It automatically pulls in your stomach, straightens your shoulders, straightens your hair, jacket, and tie. And even his gait sharply becomes light and athletic.
11. An agitated young man will try to get your attention. At this point, his gestures and facial expressions will become more expressive, and speech faster than usual.
12. The most obvious sign from a man is hands on the waist or hips, legs wide apart. In this case, he has a clear attraction to you. This also includes such a gesture as unfastening the bracelet, removing glasses, taking out cufflinks.

If you notice non-verbal signs of a man in love and think that he liked him, but still doubt your guesses a little, try experimenting. You can approach him and see his reaction, whether he will do the same or will still move a little further. When greeting or saying goodbye, reach out to him first, smile. A man may not understand non-verbal language, but his facial expressions and gestures will involuntarily betray his emotions. You should also not consider each sign separately. Consider everything together, including his behavior, words and attitude towards you.

There are also gestures that indicate a person's indifferent and complete indifference. A man who does not want to make contact will behave as follows: often turn away, cover his ears with his palms. Look anywhere: at the ceiling, watch, hands, but not at you. Hidden palms, crossed arms or legs are not a sign in your favor. When the interlocutor is not interested in the conversation, he can be given out by such non-verbal gestures as: running eyes, fidgeting in a chair. Even the ends of the shoes can be directed towards the doors.

The ability to understand the non-verbal signs of a man in love opens up many opportunities. Studies show that facial expressions and behavior provide five times more information about a person than words. Therefore, knowledge of sign language helps to better understand each other and exchange the necessary information without words. With its help, you can easily establish relationships with people, including those with the opposite sex.

Non-verbal communication between a man and a woman is not child's play! One of his or your wrong move or wrong view can jeopardize the further development of relations, even if before that a passionate desire to be together haunted. To prevent this from happening, we suggest that you familiarize yourself with the "language" of the body and various gestures. You will learn what they mean depending on the situation and how to react to them.

This is what people say to each other without a word. He does not need any speech, compliments, questions, all information and influence on each other are transmitted through facial expressions, gestures, postures, intonation. It helps to understand a person's attitude to himself and show him his disposition or rejection.

Gestures and behavior of a man with a woman

Body language can tell a lot about a young man's relationship to a girl and vice versa. You just need to learn how to correctly interpret the gestures.

The guy during the conversation keeps his hands in his pocket

If the man's thumbs are not in his pocket, but outward, this may mean that he wants to draw attention to himself. In the case of complete immersion of his palms in his pockets, we can assume that he is holding back his real emotions.

The only conclusion is that he likes you, but he is afraid or does not want to show it. In this case, try to force events, hint to him your sympathy with a light touch on your elbow.

What do raised eyebrows mean?

Such a gesture most often indicates a man's interest in you. It means that he has fun spending time with you, and the conversation is going well. But there is another interpretation: a young man may well be thinking about something serious at this time. In this case, his face will be tense. Your task is to start joking unobtrusively and relax the guy as much as possible.

What his hugs say

How he hugs you is very important. If straight and strong in front, it may well be that you are only interested in him as a passion for the evening. One can speak of a warm and serious attitude when he comes up from behind and wraps his arms around his neck. With the help of such hugs, MCH hints that this is his chosen one and he will not give her to anyone.

Think about the fact that MCH just treats you well and, hugging, shows it.

Also, such a gesture may be a consequence of his self-doubt, when he is not ready to take responsibility for the woman.

What if he stretches while talking

This is the worst date a man can afford. This behavior is incorrect and disrespectful towards the partner. By him you can judge that he is terribly bored with you and already really wants to make legs. Run from such a macho, he does not deserve the attention of women! But if a man stretches delicately, as if straightening his posture and shoulders, believe me, he is tuned in to charm his companion! In this case, look at him intently, succumbing to his charms, only sometimes averting your eyes downward, ostentatiously embarrassed.

Why touches a girl

When it comes to open touching, it is obvious that in this way he demonstrates his sexual desire. He likes the one opposite, and he would not mind flirting and spending the night with her. In the case when a man, as it were, accidentally tries to touch a woman's elbow, her palm, legs and even waist, we can assume that he has serious plans for you.

Touches and licks lips

“Hungry” men who crave female warmth and affection can touch their lips.

Pay attention to whether the MCH is looking at you, licking his lips or touching them with his hand. If yes - you are hinted at intimacy.

It may also be that the guy got nervous, or he just worries at the sight of a gorgeous girl.

Twirling something in my hands

This is an obvious sign of the excitement that comes with a beautiful lady. A man most often fiddles with a ring on his finger, a chain on his arm or neck, a tie or button, a pen and a lighter. It is highly likely that this is done because of a feeling of emptiness and disappointment, misunderstanding on the part of others.

Comes close when talking

A good gesture that can be understood as if the MCH wants to isolate the girl from the whole world. He wants to draw attention to himself, show his importance and get a little closer. Such men are confident and sometimes even selfish, but their chosen one will be very lucky: she will not know any problems in life.

"To speak" with gestures is, of course, interesting, but differently or later you will have to start normal communication. And then a problem may arise:? You will be able to avoid mistakes in the dialogue and win over the interlocutor.

And you know that men can not say everything that comes into their heads. Here. They can irritate and end the relationship.

To get closer to the MCH and gain his confidence,. Here you will find the most successful phrases.

Have you noticed that the young man is reluctant to talk? Find out, ! You will be able to identify the causes and correct the situation.

Well, if things are really bad, then nothing remains,. Take advantage of our list of proven phrases that won't hurt him.

Evaluating facial expressions and eyes

Here's what men most often do when dealing with the opposite sex:

• They smile in conversation. Why is this needed? To win over the interlocutor, show your positive attitude. They also try to flirt in this way.
• Make faces like "Jim Carrey." Why? If MCH is not a sanguine person in life, obviously, he wants to be remembered and stand out from others.
• Don't look at the woman. One of the reasons is that he is head over heels in love and is afraid to betray his feelings. Another option is that he is ashamed that he is married, but is interested in you.
• Lower their eyes to the floor. Here everything is similar to the above: either he is busy or shy.
• They look intently at the lips of the interlocutor. It's simple - he wants to kiss you and wants to continue dating in a more informal setting.

Do you want to know all the secrets of seducing men? We advise you to look free video course Alexei Chernozem "12 laws of seduction for women." You will receive a step-by-step plan of 12 steps on how to drive any man crazy and keep his affection for years to come.

The video course is free. To view, go to this page, leave your e-mail and an email with a link to the video will be sent to your mail.

How a woman can give the right "signals" to a man

If you want to show your interest, do not fold your arms over your chest and do not cross your palms, try not to twist your hair, keep your back straight. This way you won't alienate your partner. Instead, watch your posture, smile a little, look directly into the eyes of the interlocutor, cross your legs and, while saying something, lean forward a little towards him.

Very interesting video, with really useful tips and examples:

Men are very complex creatures, but our tips will help you figure them out and not get caught!

It's no secret that non-verbal communication can provide more information about a person than he can tell about himself. This is especially true of sympathy between a man and a woman. And if the latter are more frank in expressing their feelings, then the stronger sex is more stingy in this matter. And a woman always wanted to learn the sign language of men in order to know how to behave.

Such a need could not be ignored. Barbara and Allan Pease have written more than one book on this topic: "Sign Language in Love", "Language of Relationships", etc. No less popular is the work of David Givens "Sign Language - the Language of Love." Let's figure out how to understand the body language and gestures of a man in love.

What are men so loudly silent about?

Most often, men are stingy with words, and even if they speak, then they are consciously and deliberately. But the language of facial expressions and gestures will betray their true thoughts and tell about whether there is sympathy. And if, you know, there is so much about a person, then you get incredible power - to control the behavior of a man in love with you.

The ability to correctly interpret non-verbal signals will help to understand the relationship and whether there is any further meaning in them, which is incredibly important for married couples who have lived together for more than one year, and for those who are just entering a relationship it will be useful.

It is interesting! According to psychology, only slightly more than 7% of information is transmitted by a person through words, and more than 55% through non-verbal communication. The remaining percentages fall on the intonation of the voice, its timbre or pitch.

Psychology has determined that women’s intuition is nothing more than the natural ability to see and recognize the secrets of body language. It is she who helps the weaker sex to get out of seemingly inevitable situations, for which such a skill was often called witchcraft. But in fact, everything is much simpler, nature has endowed a woman with such an ability so that she can more easily and quickly guess the needs of her child, who is unable to express them independently.

For couples who have lived together for more than one year, sometimes words are not needed at all. So, one glance of the wife or husband will be enough for the other half to understand that she is wrong. That is why a married man is more stingy with words and expression of emotions - he hides his feelings.

But even a high-quality game of "hide feelings" can be revealed. So, if it is clear that the guy sympathizes with you and this is mutual, you need to take the initiative into your own hands and show him that you are only happy with the relationship. Let's figure out how to understand male body language.

Ah, those eyes are opposite!

To understand how a particular man feels about you, watch him. And most of all useful information his eyes will tell you:

• If he looks at you and his pupil is dilated, then you can be sure that this very eating with eyes is happening now. It is not always possible to look closely at the object of interest. Most often this happens already at the stage of close relationships, but even here such information is important.
• If, when a man meets you, his eyebrows move, you can be sure that he has sympathy for you, and maybe even more.
• If a man's gaze did not linger on his face, but quickly ran all over his body, there is no doubt that this man is interested in you. And most often it is carnal interest. It is interesting that a similar gesture on the part of a woman baffles men.
• If a man looks at you for a long time, tries to catch your eye, this indicates heightened interest. And here it is not only carnal desires, but also a spiritual craving for you.

Body movements: looking for sympathy

The movements of a man in love can tell you a lot. A girl in order to understand them should just carefully consider them and draw a conclusion. If a guy wants to please you, then he will try to look his best: first fix his hair, then clothes. After all, if he is not interested in you, he will not care what opinion you have of him.

But in order to better understand him, you need to pay attention to how his hands move, the poses he takes, etc.:

1. To make you like it, you will unconsciously try to become taller, fit and strong:
   • tightens the stomach;
   • straighten his shoulders;
   • will begin to show his figure.
2. If you are sitting or standing nearby, especially in a large company, look where the socks of his shoes are pointing. So, usually they are turned in the direction of his sympathy, as if trying to get closer to you. These are the first unconscious steps towards your side. And only you can decide whether you are ready to accept them or not. His whole pose is as open as possible, he is comfortable with you, comfortable and pleasant.
3. A man's sexual interest is manifested in the movement of his thumbs on his hands. They are laid behind a belt or belt, as if showing that his dignity is ready to be with you completely and completely. This is almost a bestial indication of reproduction, but every man is a beast in the shower, so be surprised. It is worse if a man hides his hands in his pockets. This is a sign of self-doubt, most often the relationship with such a man is the most troublesome and rarely ends with a happy ending.
4. But the reduction of the distance between you, the desire to get into your personal space, all sorts of touches, all this suggests that sympathy is at its peak. You can take such a man with your bare hands. An example of this behavior would be to lean almost completely towards your computer or report when it is not absolutely necessary.
5. An actively gesticulating man, only if this is not an angry boss, says that this person is trying to completely capture your attention with such a movement. Optionally, it will only communicate with you. Perhaps it will be a meeting, and active gestures and often glances at you, clearly say: "Look at me, I like you."
6. Mirror. Often a guy in love will intuitively mirror your movements, facial expressions, and posture. This unwillingness to become like you, this is the original purpose of a man - to protect his female.
7. Flaring nostrils and he fiddles with some piece of clothing, speaks of his excitement towards you. Your scent excites him, which makes him nervous and restless, especially if the object of desire does not reciprocate.

How he behaves!

In addition to facial expressions and gestures, the behavior of a man in love changes greatly. And it is this period that is deservedly called unpredictable, because a man himself does not always know "what trick he will throw out." It is not uncommon for a guy to be a gruff and a joker who despises theater and museums to become their frequent visitor. And all because his sweetheart adores them. Or he will abruptly sign up for the gym, although he has not thought about him before. And all because you are there.

The desire to see you becomes almost obsessive. It is not surprising that any excuse, even a stupid one, will suit him for meeting you. Often this will be furnished as a chance meeting, but always with a conversation and an invitation to sit somewhere.

Your desires will become incredibly important to him. Therefore, small surprises, chocolates, bouquets of flowers will become a frequent occurrence. He will do everything to please you. And if you accept them, then it gives hope for the further development of relations. Therefore, you need to be very careful with such things, because there is nothing more painful than a selected or betrayed hope. If you're not planning a relationship, be honest - say so.

Falling in love with a man is a great time to lay the foundation for further serious relationship. And if a girl is interested in this, then right now she must take the initiative and set him up in the right way, which will not slow down to transform into strong family.

A good example is the married couple Allan and Barbara Pease, who not only wrote wonderful books on non-verbal communication in love, but also experienced it themselves. Be sure to read their books, where every gesture, gaze, and pose is taken down to the smallest detail to make you happy.

oechetvbmshop pweeoye

"UYUIFSCHBOYE OECHETVBMSHOPK (OEUMPCHEUOPK) YOZHPTNBGY U UPVEUEDOILB"

uEZPDOS NSCH PFLTSCHCHBEN CH TBUUSCHMLE PZTPNOHA FENKH: “FEIOIL ULTSCHFPZP CHMYSOIS” LPFPTBS VKHDEF CHNEEBFSH CH UEVS NOPTSEUFCHP RPD FEN. y RPUMEDPCHBFEMSHOP YBZ ЪB YBZPN, VKHDEN RHVMYLPCHBFSH CH TBUUSCHMLLE. uEZPDOS FENB CHSCHRHULB RPUCHSEEOB OECHETVBMSHOPNKH PVEEOYA - SHSCHLH FEMB. sshchl FEMB NPTSEF ULBBFSH LHDB VPMSHYE, YUEN NPZHF CHCHTB'YFSH UMPCHB. rPOINBFSH SHSHL TSEUFB, JOFFOBGY FP TCE UBNPE UFP YUIFBFSH LOISKH CH PTYZYOBME, OE RPMBZBSUSH OB RETECHPD.
oELPFPTSchE dv YUYFBFEMEK NPZHF HRTELOHFSH BCHFPTB TBUUSCHMLY B FPN, YUFP TBUUSCHMLB, CHTPDE DPMTSOB VSCHFSH Chueh gempen OBRTBCHMEOB ON UBNPUPCHETYEOUFCHPCHBOYE UBNPTEBMYBGYA J, B NShch TBUUNBFTYCHBEN FEIOYLY CHMYSOYS ON PLTHTSBAEYI. fBLPE NOOOYE PYIVPYUOP, RPULPMSHLKH, OBYB GEMSH OE OBKHYUIFSH YUIFBFEMS CHMYSFSH ABOUT PLTHTSBAEYI, B OBKHYUIFSH RPOINBFSH PLTHTSBAEIK NYT BYBYUBEU oEDBTPN ZPChPTSF: "RPOBK UEVS, J FSH RP'OBEYSH NYT", OP NSCh RPKDЈN PF PVTBFOPZP.
rUYIPMPZY DBCHOP HUFBOPCHYMY, UFP UHEEUFCHHAEIK "SSCHL FEMB" CHCHTBTSBEF FP, UFP NSCH OE IPFIN YMY OE NPTSEN ULBBBFSH.
oN ZPTBDP VPMEE RTBCHDYCH Y YULTEOOEO, YUEN CHUE FE UMPCHB, LPFPTSCHE NSCH ZPCHPTYN DTHZ DTHZH. ЧТБЮЙ-RUYIPMPZY DPMZP YHYUBMY FFPF ZHEOPNEO Y RTYYMY L TSDH YOFETEUOEKYYI CHSCHPDPCH. PLBSCHBEFUS, UFP YUEMPCHEL RPDUPOBFEMSHOP DPCHETSEF VPSHYE OE UMPCHBN, B FPNKH, LBL POY VSCHMY ULBBOSCH.
vPHMP HUFBOPCHMEOP, UFP UFEREOSH DPCHETYS YUMPCHELB UMPCHBN UPUFBCHMSEF CHUEZP MYYSH 20%, FPZDB LBL UFEREOSH DPCHETYS L OECHETVBMSHOPNKH RPCHETYS L OECHETVBMSHOPNKH RPCHETYS YUMPCHEPN
oP VPMSHYE CHUEZP, LBL OY UVTBOOP, NSCH DPCHETSEN YOFFPOBGYSN UPVEUEDOILB Y DTHZYN RBTBMYOZCHYUFYUEEULYN LPNRPOEOFBN OECHET F.F.BESHOPSHOP
eUMY BL RTPOYLOYFE B BZBDLY FPZP HDYCHYFEMSHOPZP "SSCHLB FEMB" OP VE FTHDB UNPTSEFE RPOYNBFSH Chueh FBKOSCHE NSCHUMY CHBYEZP UPVEUEDOYLB, UNPTSEFE RPOSFSH ULHYUOP MJ ENH have CHBNY, MTSEF IN CHBN YMY ZPCHPTYF RTBCHDH.

tBUFFPSOYE NETSDKH UPVEUEDOILBNY
dMS FPZP, UFPVSH RPOSFSH CHBTSOPUFSH LFPZP LTYFETYS DPUFBFPPYUOP MYYSH ULBBBFSH, UFP TEVЈOPL DP FTЈI MEF VMYLP RPDIPDIF FPMSCHNCHLP L FPDIPDIF FPMSCHNSPL EP
chutpumshche MADI FBLCE RPDUP'OBFEMSHOP UFBTBAFUS OE RTYVMYTSBFSHUS VMYLLP L FEN, LFP CHSCHSCHBEF X OYI PFTYGBFEMSHOSCHE NNPGAY.
tBUFFPSOYE NPTSEF RPLBBFSH RPUFPTPOOENKH OBVMADBFEMA, LPFPTSCHK IPFS VSCH OENOPZP JOBEF P OECHETVBMSHOPN PVEEOYY, PYUEOSH NOPZPE.
cHP-RETCHCHI, YUEN VMYCE Y YOFYNOE PFOPYEOIS NETSDKH MADSHNY, FEN TBUFFPSOYE NETSDKH OYNY NEOSHYE chP-CHFPTSCHI, TBUFFPSOYE NETSDKH UPVEUEDOILBNY PFTBTSBEF YI UPGYBMSHOSCHK UVBFKHU: OBYUBMSHOIL RPDUPOOBFEMSHOP OE RPDIPDIF UMYYENLPN LPHOKH
tBMYYUBAF 4 MYUOPOOF DYUFBOY
- dp 50 UN - JOFINOBS DYUFBOGYS. eUMY NETSDKH UPVEUEDOILBNY RTY TBZPCHPTE UPITBOSEFUS FBLPE OEVPSHYPE TBUUFFPSOYE, FP POY YMY MAVPCHOYLY, YMY TCE PYEOSH VMYJLYE DBCH
cHSCH, OBCHETOPE, ABNEFIMY, UFP YUEN DPMSHYE NSCH BOBEN MADEK Y YUEN VPMSHIE POI OBN OTBCHSFUS, FEN VMYTSE NSCH L OYN RPDIPDYN PE CHTENS TBZPCHPTB.
- 50-120 UN - MYUBS DYUFBOGYS. ьFP TBUUFPSOYE DMS RBTFOTULYI PFOPYEOYK DCHKHI MADEK TBCHOPZP UPGYBMSHOPZP UFBFKHUB.
- 1,2 - 4 NEFTB - LFP TBUUFPSOYE VHC ZhPTNBMSHOPZP PVEEOIS. lBL RTBCHYMP, FBLBS DYUFBOGYS UPITBOSEFUS RTY TBZPCHPTE OBYUBMSHOYLB Y RPDYUYOЈOOOPZP.
- 4 -7.5 NEFTB - RHVMYUOBS DYUFBOGYS. POBUBEF ZHPTNBMSHOPE PVEEOEE OEULPMSHLYI MADEK.
lPZDB CHCH TBZPCHBTYCHBEFE U YUEMPCHELPN, CHUEZDB UNPFTIFE, LKHDB OBRTBCHMESH OPUL EZP PVCCHY.
eUMY POI RPCHTOHFSCH CHBYKH UVPTPOKH, LFP YOBYUIF, YFP UPVEUEDOIL YBYOFETEUPCHBO FENPK TBZPCHPTB, Y PO IPYUEF RTPDPMTSYFSH PVENOYE U CHBEOYE.
eUMY TCE OPULY EZP VPFYOPL RPCHЈTOHFSH OENOPZP CH UVPTPOKH, FP ENKH OEYOFETEUOB CHBYB VEUEDB, PO U OEFETREOYEN PTSIDBEF EЈ PLPOUBOYSH YPUEPUEPUK
cHBYNPTBURPMPTSEOYE UPVEUEDOILPCH
ьFP DPUFBFPYUOP CHBTSOBS UPUFBCHMSAEBS YUBUFSH OECHETVBMSHOPZP PVEEOIS. TBMYYUBAF OEULPMSHLP UBNSHI TBURTPUFTBOOSHI RPYGYK.
- rPJGYS MYGPN L MYGH, OBRTPFYCH DTHZ DTHZB.
fBLPE CHBYNPTBURPMPTSEOE POPPRPMSCHI UPVEUEDOILPCH HLBSCHBEF ABOUT RTYUHFUFCHHAEIK LMENEOF LPOZHTPPOFBGYY, OBRTSTSEOOSCHE Y PVPUFTЈEOOSCHI.
eUMY TSE FBL RTY TBZPCHPTE TBURPMBZBAFUS NKHTSYUYOB Y TSEOEYOB, FP ЬFB RPYGYS POBUBUBEF UELUHBMSHOKHA RTPCHPLBGYA.
- rPYGYS, LPZDB UPVEUEDOIL UYDSF YMY UFPSF IDP P VPL KHLBSCHCHBEF ABOUT UPFTHDOYUEEUFCHP, RBTFOЈTUFFCHP Y DTHTSEULPE PFOPYEOYTE DTHZHZ L.
- eUMY NETSDKH PVEBAEYNYUS MADSHNY UVPIF RTSNPKHZPMSHOSCHK UVPM, FP ЬFP CHSCHMSEF PVEEOYE FIRB “OBYUBMSHOIL - RPDUYOЈOOSCHK”.
lTHZMSCHK TSE UFPM RUYIPMPZYUEEULY HTBCHOYCHBEF PVEBAEYIUS MIG. yNEOOP RP'FPNKH UPVTBOYS DYTELFPTPCH ZHYTN YMY RBTFOЈTPCH DPMTSOSCH RTPCHPDYFSHUS B LTKHZMSCHN UFPMPN.
rpb
eUMY CHSCH VHDEFE BOBFSH, LBLYE RPGSCH YFP P'OBYUBAF, FP UNPTSEFE CHPURPMSH'PCHBFSHUS ФFINY OBOYSNY DMS FPZP, YUPPVSH RPVDUPSHDPOBSCHEM
cHUE RPSCH DEMSFUS ABOUT UINNEFTYUOSCH Y OEUINNEFTYUOSCH.
uINNEFTYUOSCHE RPHSCH “ZBUSF” YODYCHYDKHBMSHOPUFSH. rPFPNKH POI IBTBLFETOSCH DMS PZHYGYBMSHOPZP PVEEOIS.
bUYNNEFTYUOSCHE RPHSCH, OBPVPTPF, TBULTSCHCHBAF MYUOPUFOSCHE PUPVEOOOPUFY YUEMPCHELB Y RPDUPOBFEMSHOP TBURPMBZBAF L OENKH UPVEUEDOILB.
lTPNE FPZP, RPSCH DEMSFUS ABOUT BLTSCHFSCHE (TXLY ULTEEEOSCH ABOUT ZTKHDI, OPZB RPMPTSEOB ABOUT OPZH) Y PFLTSCHFSCHE.
uHEEUFCHHAF FBLCE RPMHBLTSCHFSCHE RPGSCH (THLY CH LBTNBOBI).
ъBLTSCHFSCE RPGSCH RPDUP'OBFEMSHOP CHSCHSCHBAF OEDPCHETYE L CHBN CHBYEZP UPVEUEDOILB.
eUMY BL TBZPCHBTYCHBEFE, OBRTYNET, I RPFEOGYBMSHOSCHN TBVPFPDBFEMEN J IPFYFE RTPYCHEUFY ON OEZP IPTPYEE CHREYUBFMEOYE, OP DE RTYOYNBKFE BLTSCHFPK RPSCH J W FP CE CHTENS OE UYDYFE FBL, LBL VHDFP RTPZMPFYMY RBMLH.
rTYNIFE PFLTSCHFHA, OENOPZP BUINNEFTYYUOKH RP'KH (ZPMPCHB YUHFSH RPCHTOKHFB, PDOB THLB ABOUT RPDMPLPFOIL, DTHZBS CHSCHFSOHFT CHBPMSH VED
eUMY CHSCH RPUMEDKHEFE LFPNKH UPCHEFKH, FP UYUIFBKFE, UFP 50% KHUREIB CHBN HTSE PVEUREUEOP.
hZMSD
eUMY PDOPRPMSCHE UPVEUEDOYLY RTYUFBMSHOP UNPFTSF H ZMBB DTHZ DTHZH DPMSHYE YEUFY UELHOD, FP FP CHSCHDBЈF OBRTSTSЈOOPUFSH PFOPYEOYK, J ULTSCHFSCHK LPOZHMYLF BZTEUUYA (OE PVTBEBKFE CHOYNBOYS ON AF YUFP RTY FPN Sing NYMP HMSCHVBAFUS DTHZ DTHZH).
eUMY TSE FP NKHTSUYOB Y TSEOIOB, FP FBLPK DPMZYK CHZMSD KHLBSCHCHBEF ABOUT UELUKHBMSHOHA RTPCHPLBGYA YMY UELUKHBMSHOKHA ABYBOOFETUFETESHUP.
chZMSD CH PLOP CHSCHDBЈF DERTEUUIA.
tseufsch
eUMY YUEMPCHEL, TBZPCHBTYCHBS U CHBNY, RETYPDIYUEEULY RPDOPUIF THLH LP TFH YMY OPUH, FP PO MCЈF YMY TSE UPVYTBEFUS PVNBOHFSH CHBU.
rUYIPMPZY PVYASUOSAF LFPF ZHEOPNEO FEN, UFP ZPCHPTSEYK FBLINE PVTBSPN RPDUP'OBFEMSHOP RSCHFBEFUS HDEETTSBFSH TCHHAHAUS YY OEZP MPTSSH.

tKHLPRPTSBFYE YZTBEF PZTPNOHA TPMSH RTY ZHPTNYTPCHBOY RETCHPZP CHREYUBFMEOIS.
oBRTYNET, DEMPCHPE THLPRPTSBFYE DPMTSOP VSCHFSH LPTPFLINE Y DPUFBFPYUOP UYMSHOSCHN, FPZDB P CHBU VHDHF DHNBFSH LBL PV HCHTEOOOPN CH ULEVE YUEM.
rBTBMYOZCHYUFYUEULIK LPNRPOEOF PVEEOIS
uADB PFOPUSFUS, ChP-RETCHCHCHI, FENR TEYUY.
vSCHUFTSCHK FENR ZPCHPTYF P FTECHPZE, MYUOSCHI FTHDOPUFSI YMY TCE P TSEMBOY HZPCHPTYFSH, HVEDYFSH YMY UPVMB'OYFSH.
vSCHUFTBS TEYUSH CH UPYUEFBOYY U PYUBOYEN RPDTPPVOPUFEK Y NEMLIYI DEFBMEK POBUBEF OEYULTEOOOPUFSH.
nEDMEOOBS TEYUSH RTYUKHEB MADSN CH DERTEUUYY YMY TCE CHSCHUPLPNETOSCHN MADSN U YUETFBNY UOPVYNB.
hP-CHFPTSCHI - RBKHB CH TBZPCHPTE. ьFPF RTYЈN CHSCHSCHBEF OBRTSTSEOYE X UPVEUEDOYLB Y SCHMSEFUS PYUEOSH DEKUFCHEOSCHN URPUPVPN DBCHMEOIS ABOUT OEZP.
sschl FEMB - LFP MAVPE DCHYCEOYE FEMB YMY EZP YUBUFY, U RPNPESHA LPFPTPZP YUEMPCHEL RETEDBEF LNPGYPOBMSHOPE RPUMBOYE CHOOEYOENH NYTH.
dMS FPZP, YUFPVSH RPOSFSH LFPF OE CHCHTBTSEOOSCHK UMPCHBNY SISHCHL FEMB, UREGYBMYUFSH RP omr YUBUFP CHSCHOCHTSDEOSCH RTYOINBFSH PE CHOINBOSCHEYSCHEYU TYOYNBFSH PE CHOINBOSCHEYCHTO LHMSHBEYUKH
uTEDOYK YUEMPCHEL, OEOBLPNSCHK U ЬFINY FPOLPUFSNY SЪSHLB FEMB, YUBUP YUFPMLPCHCHCHBEF OECHETOP FP, UFP PO CHYDIF.

ceuf pdjopyueufchb
uBNP RP UEEE RTYLPUOPCHEOYE SCHMSEFUS NPESHOSCHN UYZOBMPN.
rTYLPUOPCHEOYE L OEPDKHYECHMEOOOPNKH RTEDNEFKH NPTSEF UMHTSYFSH ZTPNLINE Y UTPYUOSCHN UYZOBMPN - RTYYSHCHCHPN L RPOINBOYA.

nSCh RTEYTSYNBEN OPU RBMSHGBNY, CHCHTBTSBS OBYE UPNOOYE.
nSC ULMBDSCHBEN THLY ABOUT ZTKHDY, UVTENSUSH YAPMYTPCHBFSH YMY ЪBEYFYFSH UEVS.
hm RPTSYNBEN RMEYUBNY, RPLBSCHCHBS OBYE VETBMYYUYE, RPDNYZYCHBEN - DENPOUFTYTHS OBYH VMYPUFSH have DTHZYN YUEMPCHELPN, EEMLBEN RBMSHGBNY - YUFPVSCH PVTBFYFSH CHOYNBOYE ON OBYE OEFETREOYE, IMPRBEN UEVS RP VCM - RPDYUETLYCHBS OBYH BVSCHCHYUYCHPUFSH.
yUUMP TSEUFPCH PZTPNOP. pdoy Yb OYI UPCHETYBAFUS KHNSCHYMEOOOP, DTHZYE - RPYUFY KHNSCHYMEOOOP, B FTEFSHY - RPYUFY VEUUPBOBFEMSHOP.
l RPUMEDOIN PFOPUSFUS, OBRTYNET, RTYTSYNBOYE OPUB RBMSHGBNY CH ЪOBL UPNOEYS YMY ULMBDSCHCHBOYE THL ABOUT ZTHDY CH ЪOBL UBNPBBEYFSCH.

yHYuEOYE SSCHLB FEMB - FP YUUMEDPCHBOYE CHUEI FEMPDCHYTSEOYK PF CHRPMOE RTPDHNBOOSCHI DP RPYUFY VEUUPOBFEMSHOSCHI PF FEI YUFP IBTBLFETOSCH LCA PRTEDEMEOOSCHI FOYYUEULYI J UPGYBMSHOSCHI LHMSHFHT, DP FEI, I RPNPESHA LPFPTSCHI RTEPDPMECHBAFUS Chueh LHMSHFHTOSCHE VBTSHETSCH.

upchef dms fairies, lfp uftenyfus rpchschuyfsh uchpk upgybmshschk ufbfhu

h DEMPCHPN NYTE, ZHERE OEF NEUFB ÖOBLBN PFMYUYS Y DTHZYN TEZBMYSN, OBYUBMSHUFCHP MEZLP KHNEEF ABOUT FEMB RETEDBFSH UCHO RTECHPUIPPDUFDUFFYUP OBD.
lBLINE PVTBDPN? l LBLINE RTYENBN RTYWEZBEF OBYUBMSHOIL, YUFPVSH RPDYUYOYFSH DTHZYI MADEK?
dCHB YUUMEDPCHBFEMS RTEDRTYOSMY RPRSCHFLKH YHYUYFSH YFY RTIENSCH U RPNPESHA OENPZP ZHYMSHNB.
bLFETSCH USCHZTBMY OBYUBMSHOYLB Y RPDYUYOOOOOPZP CH TBMYUOSHI UGEOLBI.
pOI YUPVTBYMY, LBL RPUEFYFEMSH CHIPDIF CH LBVYOEF, CH LPFPTPN B UYDIF YUMPCHEL.
yTYFEMSN, LPFPTSHE RTPUNPFTEMY LFY UGEOLY, VSCHMP RTEDMPTSEOP DBFSH PGEOLKH RPCHEDEOYS OBYUBMSHOYLB Y RPUEFYFEMS.
yI PGEOLY Y RPSUOOEYS RPCHPMYMY BNEFYFSH TSD ЪBLPOPNETOPUFEK.
rP NOEOYA YTYFEMEK, UFBFKHU RPUEFYFEMS VSCHM UBNSCHK OYLYK, LPZDB PO POOBBCHMYCHBMUS CH DCHETSI J PFFHDB OBYUYOBM PVTBEBFSHUS L YYEMBDECHL.
eZP RPMPTSEOYE VSCHMP RPCHSCHYE, LPZDB PO RTEPDPMECHBM RPMPCHYOH RKHFY DP RYUSHNEOOOPZP UFPMB.
oN BOYNBM UBNPE CHSCHUPLPE RPMPTSEOYE, LPZDB PO RPDIPDIM RTSNP L UFPMH Y PFHDB OBYUYOBM CHEUFY TBBZPCHPT U OBYUBMSHOYLPN.
dTHZYN RTYOBLPN, RP LPFPTPNKH PRTEDEMSMY RPMPTSEOYE RPUEFYFEMS, VSCHMP CHTENS, LPFPTPE RTPIPDYMP NETSDKH EZP UFHLPN CH DCHETSHY Y CHIPTSB.
uFBFKHU TSE OBYUBMSHOYLB PRTEDEMSMY RP CHTENEY, LPFPTPE RTPIPDYMP PF FPZP NPNEOFB, LPZDB PO HUMSHIBM UFKHL CH DCHETSH Y PFPUCHBMUS.
yUEN NEDMEOOEE RPUEFYFEMSH CHIPDYM L OBYUBMSHOYLKH, FEN OYTSE VSCHM EZP UFBFHU.
oBRTPFYCH, YUEN, NEDMEOOEE OBYUBMSHOIL PFSCHBMUS ABOUT UFHL CH DCHETSH, FEN CHCHYE VSCHMP EZP RPMPTSEOYE.
pYUECHYDOP, UFP CH DBOOPN UMHYUBE TEYUSH IDEF PV PFOPYEOYY L FETTYFPTYY.
rPUEFYFEMA TBBTEYBAF CHPKFY ABOUT FETTYFPTYA OBYUBMSHOILB, J FBLBS PTZBOYBGYS PFOPYEEOIK CH RTPUFTBOUFCHE BCHFPNBFYUEUL RTYDBEHTEBUFBUPUIFEULY
aF LBL DBMELP J OBULPMSHLP VSCHUFTP RPUEFYFEMSH CHIPDYF ON YUHTSHA FETTYFPTYA, YMY DTHZYNY UMPCHBNY, B LBLPK UFEREOY IN VTPUBEF CHSCHPCH YUHTSYN ZTBOYGBN UCHYDEFEMSHUFCHHEF P FPN, LBL software PGEOYCHBEF UCHPE RPMPTSEOYE B PVEEUFCHE.
vPMSHYPK OBYUBMSHOIL CHIPDIF CH LBVYOEF UCHPEZP RPDYUOEOOOPZP VE 'RTEDKHRTETSDEOYS.
rPDUYOEOOSCHK VHDEF TSDBFSH TBTEYEOYS CHPKFY CH LBVYOEF VPUUB.
eUMY OBYUBMSHOIL ZPCHPTYF RP FEMEZHPOKH, FP RPDYUYOOOSCHK ABOUT GSCHRPULBI CHSCHKDEF YJ LBVYOEFB Y CHETOEFUS FPMSHLP RP PLPOYUBOY TBBZPCHPTB.
eUMY RPDYUYOEOOSCHK ZPCHPTYF FEMEZHPOH RP, FP OBYUBMSHOYL PVSCHYUOP RPDFCHETDYF UCHPE CHSCHUPLPE RPMPTSEOYE, CHUFBCH HBS RPDYUYOEOOSCHN, RPLB FPF OE OBYUOEF VPTNPFBFSH B FEMEZHPOOHA FTHVLH "with CHBN RPRPTSE RETECHPOA" J RPFPN HDEMYF Chueh UCHPE CHOYNBOYE OBYUBMSHOYLH.
cHOKHFT DEMPCHPZP NYTB RTPYUIPDIF RPUFPSOOBS VPTSHVB B RPMPTSEOYE, J RPFPNKH UYNCHPMSCH UVBFKHUB UVBOPCHSFUS OEPVIPDYNSPEYSCHNY PTB.
oBYVPMEE PYUECHYDOSCHN PTHDYEN UBNPKHFCHETTSDEOYS SCHMSEFUS "DYRMPNBF".
nSCH JOBEN RTP UMKHTSBEYI, LPFPTSCHE FBULBAF CH FYI FSTSEMSHI YUENPDBOYUILBI FPMSHLP YBCHFTBL, OP "DYRMPNBFSH" OEPVIPDYNSCH YN DMSFCHFCHETSPH

lbl vshfsh mdetpn
pFLTSCHFYE FETTYFPTEY Y CHFPTTSEOYE ABOUT YUHTSKHA FETTYFPTYA SCHMSAFUS CHBTSOCHNY LMENEOFBNY YETBTIYUEULPK UYUFENSCH CH YUBUFOPN VYYOEUE.
b LBL OBUYUEF MYDETUFCHB?
lBLYNY RTYENBNY Y LBLYNY UMCHBNY ABOUT FEMB MAYDET HFCHETTSDBEF RTBCHP ABOUT UCHPE THLPCHPDSEEE RPMPTSEOYE?
oEBDPMZP DP OBYUBMB CHFPTPK NYTPCHPK CHOCHCH YUBTMY YUBRMYO UPDBM LYOPLBTFYOH "CHEMILIK DYLFBFPT".
lBL Y PE CHUEE ZHYMSHNBI yuBRMYOB CH fPK MEOFE NOPZPE UFTPYFUS ABOUT FEMB.
pDOB Y OBYVPMEE HDBYUOSHI UGEO TBSCHZTSCHBEFUS CH RBTYLNBETULPK.
rP IPDH ZHYMSHNB ZIFMETB, LPFPTPZP YZTBEF YUBRMYO, Y nHUUPMYOY, LPFPTPZP YZTBEF dTsL pKHLJ, VTEAF CH UPUEDOYI LTEUMBI.
uGEOB UFTPYFUS ABOUT FPN, UFP LBTSDSCHK Y RETUPOBTSEK UFTENYFUS RPUFBCHYFSH UEVS CH ZPURPDUFCHHAEE RPMPTSEOYE CH PFOPYEOY DTHZPZP.
fBL LBL PVB ZETPS, RPLTSCHFSCHE NSCHMPN J BREMЈOHFSCHE, PLBBMYUSH LTEUMBI W, OP Sing NPZMY CHSCHTBYFSH UCHPE RTECHPUIPDUFCHP, MYYSH TEZHMYTHS CHSCHUPFH UCHPYI LTEUEM have RPNPESHA UREGYBMSHOPK THYULY, DP LPFPTPK Sing NPZMY DPFSOHFSHUS.
uGEOB UFTPYMBUSH ABOUT RPRSCHFLBI ZIFMETB Y nHUUPMYOY RPDOSFSH UCHPY LTEUMB LBL NPTSOP CHCHYE.
mYDETUFCHP PLBSCHCHBEFUS X FPZP, LFP CHUCHSCHYBEFUS OBD DTHZYNY.
nSCH JOBEN P FTBDYGY RTELMPOEOIS RETED GBTSNY, YDPMBNY, BMFBTSNY.
hPPVEE RPLMPOSCH Y RTYUEDBOYS - LFP CHBTYBOFSCH CHTBTSEOIS UCHPEZP RTYOYTSEOOPZP RPMPTSEOIS.
cHUE FY DEKUFCHYS RPLBSCHBAF ABOUT THE FEMB’s FEMB: "CHSCHCHYE NEOS, B RPFPNKH CHSCH ZPURPDYO".

n FPN, UFP ZHPTNB UFPMB RTEDPRTEDEMSEF TBCHEOUFCHP YMY OETBCHEOFCHP EZP HYUBUFOILPCH, VSCHMP YCHUFOP, EEE CH FE CHTENEOB, LPZDB VSCHME UMPTSETSCHP
uFPM VSCHM LTKHZMSCHN DMS FPZP, UFPVSCHUE, UYDECHYE AB OYN, YUHCHUFCHPCHBMY UEVS TBCHOSCHNY.
pDOBLP LFPF RTYOGYR VSCHM CH OBYUIFEMSHOPK UFEROY PUMBVMEO FEN, UFP LPTPMSH bTFKHT VSCHM ZPURPDUFCHHAEEK ZHYZKHTPK CHOE ЪBCHYUYUUPPUFY.
uFBFKHU LBTSDPZP TSHGBTS WAYTSBMUS RP NETE HNEOSHYEOYS TBUUFFPSOYS NETSDKH OYN Y LPTPMEN.

obhlb, obshchbenbs rtpluenylpk
dPLFPTB dHBTDB f. iPMMB, RTPZHEUUPTB BOFTPRPMPZYY uEChETP-BRBDOPZP HOYCHETUYFEFB, DBCHOP YOFETEUPCHBM CHPRTPU P FPN, LBL YUEMPCHEL TEBZYTHEF ON RTPUFTBOUFCHP, PLTHTSBAEEE EZP, J LBLYN PVTBPN YURPMSHPCHBOYE dH PLTHTSBAEEZP RTPUFTBOUFCHB SCHMSEFUS URPUPVPN RETEDBYUY YOZHPTNBGYY DTHZYN MADSN.
yJHYUBS MYUOPE RTPUFTBOUFCHP YUEMPCHELB, DPLFPT iPMM UPADBM FETNYO "RTPLUENYLB" DMS PRYUBOYS UCHPEK FEPTY Y UCHPYI OBMADEOJTYK PFHOPUJPUYU

dPLFPT ipMM UYUIFBEF, UFP YURPMSHSPCHBOYE DEPCHELPN RTPUFTBOUFCHB YNEEF TEYBAEEE JOBYEE DMS YUEMPCHEEUULYI CHBYNPPFOPCHYUEUYUYI CHBYNPPFOPCHYUEUYEUYI CHBYNPPFOPHYUEUEUYUYI CHBYNPPFOPCHYUETSDEYDEK.
dPLFPT iPMM TBURTEDEMIM LFY RPFTEVOPUFY Y CHSCHDEMYM YUEFSCHTE STLP CHCHTBTSEOOSCHE YPOSCH, CHOHFT LPFPTSHI DEKUFCHHHEF YUEMPCHEL.
oN OBSCHBM YI JOBNY:
1) YOFYNOPK VMYUPUFY;
2) MYUOPK VMYUPUFY;
3) UPGYBMSHOPZP LPOFBLFB;
4) PVEEUFCHEOOPK DYUFBOGY.
lBL NPTSOP DPZBDBFSHUS, TBUUFPSOYE NETSDKH MADSHNY PF PDOPK ЪPOSCH L DTHZPK CHATBUFBEF RP NETE FPZP, LBL UVEREOSH VMY'PUFY NETSDKH OYNY HNEOSHYBE

tBUFFPSOYS CH POE YOFINOPK VMY'PUFY NPZHF CHBTSHYTPCHBFSHUS PF NBLUINKHNB UVMYCEOIS CH 15 UBOFINEFTPCH DP NYOYNKHNB CH 45 UBOFINEFTPCH.
nBLUINBMSHOBS UVEREOSH UVMYCEOIS RTEDRPMBZBEF MAVPCHOSCHE PFOPYEOIS, FEUOHA DTHTSVKH, RTEYCHSBOOPUFSH DEFEK L UPHPINE TPDIFEHEOSH YMY DTH.
lPZDB CHSCH OBIPDIFEUSH ABOUT NBLUYNBMSHOP VMYLPK YOFYNOPN TBUUFFPSOY L UCHPENKH RBTFOETH, ON OECHPMSHOP ABBCHBFSCHCHBEF CHUE CHBYE CHOINBOYE.
rp LFPK RTYUYOE FBLPK LPOFBLF NETSDKH DCHHNS NKHTSYUYOBNY NPTSEF UP'DBCHBFSH PECHEEOEE OEMPCHLPUFY Y OEHDPVUFCHB.
oBIPDYFSHUS ABOUT TBUFFPSOY YOFYNOPK VMY'PUFY NETSDKH NKHTSYUYOPK Y TSEOEYOPK - CHRPMOE EUFEUFCHEOOOP.
lPZDB CE NHTSYUYOB J TSEOEYOB, LPFPTSCHE OE OBIPDSFUS DTHZ have DTHZPN B YOFYNOSCHI PFOPYEOYSI, PLBSCHCHBAFUS DTHZ have DTHZPN ON TBUUFPSOYY "YOFYNOPK VMYPUFY" FBLBS DYUFBOGYS NETSDH OYNY CHSCHSCHCHBEF X OHYE UNHEEOYE.

rTPDPMTSEOYE CH UMEDHAEN CHSCHRHULE.